《爱死亡和机器人》剧情简介
毕方,应该可以了吧?作为一个萨满法师,却跟着些人,在这能晒死人地地方,这么玩命的狂奔,狐彩云都感觉到自己的嗓子快要冒烟了。费力的追上毕方问道。应该差...才快走几步。跟上前面地大哥、二哥。而周围地人看到这个鬼东西在卡罗地沙穴上地这一连串动作。不禁都担心地心快蹦到了嗓子眼。生怕卡罗一个忍不住。暴露出来。还好。卡罗地战场素质。不...
即使是碰撞也时有发生。还好,毕方有第一次顿悟的经验,所以,将这些星体都制作的极为结实,即使发生碰撞,只要不是太剧烈,便破裂,只会像两个碰撞的篮球,互相弹开而已。突然...
《爱死亡和机器人》相关评论
豫
默雨
感觉换个男主,再换个影响力大一些的女性角色,这部戏会获得更高的评价,因为确实在节奏上,穿越找真相的逐步揭露上都做得可以,(当然,编剧偷懒没有说明穿越的原因,虽然现在听一首歌就能穿越,但结尾转为小说幻想也不错子,有点可以感同身受)整部片子,人物刻画都很深刻,结尾的解密引入tbb最熟悉的卧底情节也直接推向高潮,男主可以穿越了24集一点不认女主,我也觉得很牛,说明编剧真的没在水,(虽然最后还是强行让妹妹说出真相),悬疑寻找真相都做的还不错,爱死亡和机器人就是男主这样都能拿视帝每次想到都很气,可恶...(他适合演深沉点的角色,这部戏需要他带笑点节奏,真有点尬
黑豆拿铁
可能是大卫·芬奇的电影里看得最不“爽”的一部。它的观影门槛太高,注定不会是观众能津津乐道的电影,也正是如此大片场都不看好这个项目,只有Netflix一掷千金给他这个空间。整部电影的核心思想其实都在开头背景介绍那段文字里了:He was given absolute creative autonomy, would suffer no oversight, and could make any movie, about any subject, with any collaborator he wished.
鹿角大王
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.